Tackling the Classics

By Rachel Wicks

From what I understand, the vast majority, if not all, of the CLTL programs concern themselves mainly with using books as a mean of facilitating change. However, literature isn’t restricted merely to the pages that can be bound to the spine of a book.

According to the Merriam-Webster dictionary, literature is defined as “written works that are considered to be very good and to have lasting importance”, yet nowhere in that definition does it state the requirement that the literature must come in the form of a novel. Sure, when people think of literature in general, the image that typically comes to mind is a book, but literature can be plays, poems, songs, and so much more.

Therefore, I wonder, should CLTL meetings occasionally branch away from the classic literary novels they usually teach from and aim to involve other forms of literature?

There are certainly plays that are well established within the current literary canon, such as The Tragical History of the Life and Death of Doctor Faustus, Lysistrata, or anything by Shakespeare, so delving into the discussion opportunities that these plays provide would still fall neatly alongside the CLTL’s usual modus operandi of “sticking to the classics”.

Also, considering the fact that what helps make the CLTL sessions and reading assignments so powerfully effective is that readers can relate to the characters in their fictional scenarios, the characters in plays are no less relatable or emotionally exposed than Santiago in The Old Man and the Sea, John Proctor in The Crucible, or Sydney Carton in A Tale of Two Cities.

The same can even be said of the many examples of poems already within the standard literary canon. Although poetry can sometimes lack a main character and lean more towards description, poems are never without emotion, and connecting the reader to what they read is what allows for the CLTL to actually accomplish its mission, changing the lives of real people.

However, if the CLTL were to expand its reach into the current literary canon, this still brings up a deeply important, and often overlooked, question: Should the CLTL explore literature beyond the standard Western literary canon?

As Westerners, it is sometimes easy to forget that what we consider to be literary classics is essentially a list compiled and upheld by those with a strong preference and inclusion into Western society. However, looking back on the history of literature, much of what the world considers to the literary “firsts” are of Eastern origin. The first novel is considered to be The Tale of Genji, written by noblewomen Murasaki Skikibu in 11th century Japan, and two of the oldest poems in the world are Ramayana and Mahabharata, both of Indian origin.

Therefore, with so much of the Western canon already explored in most educational or literary circles, why not expand into the Eastern canon? It’s one thing to read the usual “great American novels” and gain an understanding of the ideologies that stem from those books, but diving into the Eastern canon can also help to expand one’s worldview. It can open one’s eyes to even more that this tiny planet provides while also emphasizing the idea that, despite differences found across oceans, perhaps there are some human fundamentals in literature that naturally create the emotive bonds that the CLTL encourages and depends upon.

Now doesn’t that sound like a way to change a life through literature?