Tackling the Classics

By Rachel Wicks

From what I understand, the vast majority, if not all, of the CLTL programs concern themselves mainly with using books as a mean of facilitating change. However, literature isn’t restricted merely to the pages that can be bound to the spine of a book.

According to the Merriam-Webster dictionary, literature is defined as “written works that are considered to be very good and to have lasting importance”, yet nowhere in that definition does it state the requirement that the literature must come in the form of a novel. Sure, when people think of literature in general, the image that typically comes to mind is a book, but literature can be plays, poems, songs, and so much more.

Therefore, I wonder, should CLTL meetings occasionally branch away from the classic literary novels they usually teach from and aim to involve other forms of literature?

There are certainly plays that are well established within the current literary canon, such as The Tragical History of the Life and Death of Doctor Faustus, Lysistrata, or anything by Shakespeare, so delving into the discussion opportunities that these plays provide would still fall neatly alongside the CLTL’s usual modus operandi of “sticking to the classics”.

Also, considering the fact that what helps make the CLTL sessions and reading assignments so powerfully effective is that readers can relate to the characters in their fictional scenarios, the characters in plays are no less relatable or emotionally exposed than Santiago in The Old Man and the Sea, John Proctor in The Crucible, or Sydney Carton in A Tale of Two Cities.

The same can even be said of the many examples of poems already within the standard literary canon. Although poetry can sometimes lack a main character and lean more towards description, poems are never without emotion, and connecting the reader to what they read is what allows for the CLTL to actually accomplish its mission, changing the lives of real people.

However, if the CLTL were to expand its reach into the current literary canon, this still brings up a deeply important, and often overlooked, question: Should the CLTL explore literature beyond the standard Western literary canon?

As Westerners, it is sometimes easy to forget that what we consider to be literary classics is essentially a list compiled and upheld by those with a strong preference and inclusion into Western society. However, looking back on the history of literature, much of what the world considers to the literary “firsts” are of Eastern origin. The first novel is considered to be The Tale of Genji, written by noblewomen Murasaki Skikibu in 11th century Japan, and two of the oldest poems in the world are Ramayana and Mahabharata, both of Indian origin.

Therefore, with so much of the Western canon already explored in most educational or literary circles, why not expand into the Eastern canon? It’s one thing to read the usual “great American novels” and gain an understanding of the ideologies that stem from those books, but diving into the Eastern canon can also help to expand one’s worldview. It can open one’s eyes to even more that this tiny planet provides while also emphasizing the idea that, despite differences found across oceans, perhaps there are some human fundamentals in literature that naturally create the emotive bonds that the CLTL encourages and depends upon.

Now doesn’t that sound like a way to change a life through literature?

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The Start of a Novel

by Rachel Wicks

Halloween has passed and November has begun, but to those who concern themselves with writing and literature, this month has more to celebrate than just turkey and cranberry sauce on the fourth Thursday of the month.

For those who know don’t know, November is also known as National Novel Writing Month (usually referred to as NaNoWriMo) and it’s exactly what it sounds like. The goal of NaNoWriMo is to produce a 50,000 words by the end of November, meaning that writers should aim to write a minimum of 1,667 words a day in order to finish their novel in the allotted time.

NaNoWriMo occasionally gets a lot of backlash from critics who claim that there is no possible way that a novel can be successfully completed in a single month. They claim that writing isn’t about word count—it’s about the quality of the writing. They say that NaNoWriMo is meaningless because the time constraints on the writing can only lead to writers producing 50,000-word documents of mangled literary garbage.

In my opinion, the critics are correct on some points, such as writing not solely revolving around word counts, but those against NaNoWriMo don’t seem to understand that the purpose of each November is to make drafts. A fully-fledged novel, ready to be published in a moments notice, can’t feasibly be created in a month. Writing needs editing, precision, and a certain finesse that can’t be managed in so little time.

But what people forget is that writing also needs to be started, and often times that’s the hardest part of all.

For as long as I can remember, I have always wanted to write my own novel, and I’ve been aware of NaNoWriMo since I was 13. I’m 21 now, and although I’ve never successfully managed to find the time to complete the 50,000 word goal, I want this year to be different. I want 2016 to be the year I prove to myself that I can write an entire draft of a novel, that I do have the personal discipline required to dedicate enough time each day to writing 1,667 words, and that not only can I begin a novel but I can end it too.

Looking through the literature that has been assigned through the CLTL program, I sometimes wonder what classic authors of the current literary canon would have done had they also lived in a time where NaNoWriMo existed. Would they have seized the chance to join a group of writers all struggling to get 50,000 words out of themselves in a timely manner?

It’s rather hard to imagine the greats like Hemingway, Austen, and even Shakespeare doing NaNoWriMo, but those authors all had to force themselves to start their novels somehow. There used to be a time when Charles Dickens only had the first line of A Tale of Two Cities written down, but that line led to a full fledged book.

NaNoWriMo provides authors, especially new authors, the chance to let their writing flourish by starting and (just as importantly) finishing a full draft, unhindered by the idea that writing has to be perfect the first time the pen hits paper. Every great author in history has known that perfect writing takes practice and does not happen overnight. With this idea in mind, I intend to use this month to generate some first-draft literature of my own. It won’t be pretty, and I probably won’t be too proud of the content, but I will be proud of myself for accomplishing a goal and taking the first step towards completing a dream.

So, if you have the time, maybe 2016 can be the year you start writing too. The next great generation of novels lining the shelves of future bookstores (and iPads) has to be written by someone, and maybe that someone is you.